Pastor Chris Oyakhilome, founder of LoveWorld, also known as Christ Embassy, has shed light on why several gospel musicians left his church.
He revealed that many artists prioritized fame and financial gain over their commitment to serving God.
According to Oyakhilome, the church’s music ministry had veered off course. Instead of focusing on worship, it became increasingly centred on entertainment and personal success.
He expressed disappointment that some musicians neglected spiritual duties, skipping prayer sessions but staying to lead praise and worship.
Music in the church became too worldly
The well-known cleric stated that at first, he supported and celebrated the musicians. However, he later noticed a troubling trend—worship was becoming more about performance than devotion.
When he tried to address the issue and redirect them, they refused to change and eventually chose to leave the church.
Oyakhilome explained, “The church was turning into a place of entertainment rather than a house of prayer where God’s word is honoured. These artists were not winning souls. They would lead praise sessions, but when it was time for prayers, they disappeared.”
He stressed that the spiritual essence of worship had been lost. Instead of singing for God, the musicians focused on themselves.
He criticized how they celebrated their talent rather than using it as a tool for ministry. He also pointed out that they began charging money for their services, treating their roles as professional careers rather than sacred callings.
The influence of the world in the church
The pastor voiced concerns about how secular influences crept into gospel music. He stated that many church leaders failed to recognize this shift.
“They didn’t realize that the world was coming into the church,” he said. “At first, I celebrated these musicians, but when I tried to correct them, they refused to change. So, I had to let them go.”
According to Oyakhilome, God urged him to take a stand and return to true worship. He expressed disappointment that some artists had allowed money and popularity to drive their decisions.
“They became too famous, and even though they were only making a little money, it was enough to distract them,” he said. “They thought they had achieved financial success, but do they even understand what true wealth is?”
A call for repentance
Despite his disappointment, Oyakhilome said he hopes those who left will reflect on their actions and return to genuine worship. “I hope they repent,” he said. “They are not worship leaders.”
His comments highlight a long-standing debate in gospel music—whether artists should see their craft as a ministry or a profession.
Many churches face similar challenges as gospel music becomes more commercialized. Some argue that artists deserve financial compensation, while others believe worship should remain free from monetary influence.
A broader issue in gospel music
The departure of musicians from the Christ Embassy reflects a wider trend within the gospel industry.
Over the years, many gospel artists have transitioned from church-based singing to full-time professional careers. Some find success in mainstream music, while others remain within the gospel genre but operate independently.
Churches around the world continue to grapple with balancing faith and artistic expression. While some welcome innovation in worship music, others fear that entertainment is replacing genuine spirituality. Oyakhilome’s stance underscores the importance of maintaining the sacred nature of worship.
His firm position has sparked discussions among churchgoers and Christian musicians alike. Many agree with his concerns, while others believe artists should be allowed to earn a living from their talent.
The future of worship in Christ Embassy
Oyakhilome remains committed to restoring the church’s focus on true worship. He emphasized that gospel music should be about God, not personal success. “We must do the right thing,” he said. “God was getting my attention, telling me this is not the way.”
As the Christ Embassy moves forward, the church may see significant changes in how worship is conducted.
Whether other churches will follow suit remains to be seen. However, Oyakhilome’s statements have certainly reignited conversations about the role of music in Christian worship.
Final thoughts
The relationship between faith and music is evolving. As gospel artists navigate between ministry and career aspirations, churches must decide how to address these changes.
Pastor Chris Oyakhilome’s firm stance serves as a reminder that, for many religious leaders, worship is about devotion—not financial gain.
Whether the musicians who left Christ Embassy will return remains uncertain. But one thing is clear: Oyakhilome is determined to keep the focus on God.
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