Veteran Nigerian highlife musician, Bright Chimezie, has raised concerns about the state of modern Nigerian music.
The respected singer, known for his unique style of highlife and Ziggima sound, said many of today’s artistes focus heavily on rhythm but neglect the lyrical depth that gives songs lasting value.
Chimezie, who spoke on the latest episode of the CreativTea podcast, praised the younger generation for their creativity and global success. However, he advised them to pay more attention to the messages in their songs.
“Music is more profitable now than in my time,” he said. “The only problem I have with the present crop of artistes is their lyrical content. In terms of rhythms and every other thing, they are doing quite okay.”
Despite acknowledging their achievements, Chimezie expressed worry about the legacy such music will leave. He explained that during his prime, musicians composed songs that carried strong social messages and could stand the test of time.
He recalled his 1984 classic, Respect Africa, as an example of a song with lasting value. “That’s about 40 years ago. But I can still watch what I did 40 years ago and be proud of my lyrics,” he said with pride.
Chimezie then posed a challenge to younger artistes. “These days, I ask these boys, the things that are coming out of your mouth, by the time your music stays up to 40 years, can you sit back with your children, see yourself, and be proud of yourself?”
The musician emphasized that his concern was not about the beats or production quality of modern music, which he described as impressive. Instead, he urged younger stars to consider the messages they pass to society through their art.
“They are doing very well,” he noted. “But I think it is very important for them to add good lyrics to their music.”
Bright Chimezie’s remarks add to ongoing debates within the Nigerian entertainment industry. While Afrobeats and other genres from Nigeria now dominate global music charts, critics often argue that many of the songs lack depth in storytelling or social relevance.
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Industry watchers believe Chimezie’s comments reflect a generational difference in approach. Older musicians, especially from the highlife and afrobeat eras, frequently used music as a tool for social change, political commentary, and cultural pride. Today, however, much of the focus is on club hits, commercial appeal, and digital virality.
Still, Chimezie acknowledged the success of contemporary artistes, many of whom are breaking international boundaries, winning global awards, and collaborating with some of the world’s biggest names.
He stressed that his advice was not criticism but encouragement to ensure their work remains timeless.
As one of Nigeria’s most enduring voices in highlife music, Bright Chimezie continues to inspire both fans and fellow musicians.
His call for better lyrical content serves as a reminder that while rhythms may capture the moment, words are what preserve the music for generations to come.